"Toussaint is a genuinely funny writer . . . small erotic moments are captured perfectly . . . makes me long for more by Toussaint." Kirkus Review
After he accepts a bribe not to treat chronically hiccupping Peruvian poet Câesar Vallejo, mesmerist Monsieur Pierre Pain is racked with guilt but is barred from the hospital when he tries to do the right thing, only to discover a rival mesmerist has entered the picture.
Reproduction of the original.
Reproduction of the original: The Love of Monsieur by George Gibbs
CHAPTER I Monsieur Bergeret was seated at table taking his frugal evening meal. Riquet lay at his feet on a tapestry cushion. Riquet had a religious soul; he rendered divine honours to mankind. He regarded his master as very good and very great. But it was chiefly when he saw him at table that he realized the sovereign greatness and goodness of Monsieur Bergeret. If, to Riquet, all things pertaining to food were precious and impressive, those pertaining to the food of man were sacred. He venerated the dining-room as a temple, the table as an altar. During meals he kept his place at his master’s feet, in silence and immobility. “It’s a spring chicken,” said old Angélique as she placed the dish upon the table. “Good. Be kind enough to carve it, then,” said Monsieur Bergeret, who was a poor hand with weapons and quite hopeless as a carver. “Willingly,” said Angélique, “but carving isn’t woman’s work, it’s the gentlemen who ought to carve poultry.” “I don’t know how to carve.” “Monsieur ought to know.” This dialogue was by no means new. Angélique and her master exchanged similar remarks every time that game or poultry came to the table. It was not flippantly, it was certainly not to save herself trouble, that the old servant persisted in offering her master the carving-knife as a token of the respect which was due to him. In the peasant class from which she had sprung and also in the little middle-class households where she had been in service, it was a tradition that it was the master’s duty to carve. The faithful old soul’s respect for tradition was profound. She did not think it right that Monsieur Bergeret should fall short of it, that he should delegate to her the performance of so authoritative a function, that he should fail to carve at his own table, since he was not grand enough to employ a butler to do it for him, like the Brécés, the Bonmonts and other such folk in town or country. She knew the obligations which honour imposes on a citizen who dines at home, and she never failed to impress them upon Monsieur Bergeret.
In a small village in northern France, Monsieur Ouine, a retired professor, is taken in by the dull local squire, Anthelme de Näräis, and soon rules the life of both Anthelme and his wife, Ginette. A fourteen-year-old fatherless boy, Philippe Dorval, flees home and, on impulse, follows Madame de Näräis to her chÛteau. There the squire, who is dying, tells the boy that his father is actually alive and well?that despite what Philippe?s mother had told him, his father had not died in World War I. The forsaken boy finds himself on that fatal evening succumbing to Monsieur Ouine?s embrace after falling into a drunken sleep in the old professor?s bed. The events of the tempestuous night lead to upheaval in the village the next morning, when, at dawn, a boy?s body is found afloat in a stream near the chÛteau.
Monsieur Jonquelle is no ordinary prefect of police of Paris. With cool intellect and charm, he can see into the heart of the most perplexing of crimes. From the jungles of the Congo to the sun bathed streets of Nice, criminals will find themselves outsmarted. This mastermind of mystery saves Russian heiresses, seeks out sneaking murderers, uncovers precious emeralds and tricks wily scoundrels into confessions. A classic detective of the highest calibre! This collection of mystery and crime adventures featuring skilled and eloquent French detective, Monsieur Jonquelle, written by Mellville Davisson Post, was first published in 1923.
Charles Paul de Kock (1793-1871) was a French novelist. His stories are mostly of middle-class Parisian life, of guinguettes and cabarets and equivocal adventures of one sort or another. The most famous are Andre le Savoyard and Le Barbier de Paris."
Internationally acclaimed play of cross-cultural friendship Paris in the 1960s. Thirteen-year-old Moses lives in the shadow of his less-than loving father. When he's caught stealing from wise old shopkeeper Monsieur Ibrahim, he discovers an unlikely friend and a whole new world. Together they embark on a journey that takes them from the streets of Paris to the whirling dervishes of the Golden Crescent. This delightful, moving play has already been a huge hit in Paris and New York. Performed in thirteen countries and published in twelve languages, it is also an award-winning film starring Omar Sharif. Monsieur Ibrahim and the Flowers of the Qur'an received its UK premiere at the Bush Theatre on 17 January 2006.
This historical novel is the third and final book in American poet and fiction writer Janet Lewis’s Cases of Circumstantial Evidence series, based on legal case studies compiled in the nineteenth century. In The Ghost of Monsieur Scarron, Lewis returns to her beloved France, the setting of The Wife of Martin Guerre, her best-known novel and the first in the series. As Swallow Press executive editor Kevin Haworth relates in a new introduction, Monsieur Scarron shifts the reader into the center of Paris in 1694, during the turbulent reign of the Sun King, Louis XIV. The junction of this time and place gives Monsieur Scarron an intriguing political element not apparent in either The Wife of Martin Guerre or The Trial of Sören Qvist. The Ghost of Monsieur Scarron begins in a small bookbinder’s shop on a modest Paris street, but inexorably expands to encompass a tumultuous affair, growing social unrest, and the conflicts between a legal system based on oppressive order and a society about to undergo harsh changes. With its domestic drama set against a larger political and historical backdrop, Monsieur Scarron is considered by some critics and readers to be the most intricately layered and fully realized book of Lewis’s long career. Originally published in 1959, Monsieur Scarron has remained in print almost continuously ever since.
When two of his daughters announce they will be married on the same day in the mid-1800s, Charles Durand plans an extravagant decoration of lace-like webs for the long, tree-lined drive to their sugar plantation in Louisiana.
A grisly triple murder occurs in a down-and-out quarter of Paris, and the petty criminal apprehended at the scene of the crime is considered clearly guilty—except by young Monsieur Lecoq. The brilliant but inexperienced young detective digs deeper into the case to discover an affair of family honor involving blackmail, secret identities, and suicide. Outwitted at every turn, Lecoq is compelled to attempt a last-ditch gamble. First published in 1869, Monsieur Lecoq is astonishingly modern and enjoyable. André Gide pronounced author Emile Gaboriau "the father of the modern detective novel," and this is Gaboriau's finest work. Energetic and keenly logical, Lecoq ranks as a significant figure in the history of detective novels; Sir Arthur Conan Doyle himself acknowledged the fictional sleuth's influence on his own logical mastermind, Sherlock Holmes.